This fifth volume of Pamela Decker performing her own music includes four first recordings. Of primary interest is the nine-movement "The Seven Last Words and Triumph of Christ." Composed in 2018 and played by Douglas Cleveland, it makes much of Seattle's characterful, well-resourced IV/58 Flentrop organ to move eloquently between contemplative poetry and powerful drama. Cleveland’s gentle account of Meditation (2005) -- a birthday tribute by Decker's husband, Ken Yukl -- is touchingly lyrical. Decker provides an authoritative traversal of the Durufl é-accented Fantasy on the Name of Roy Andrew Jackson (2015) The multi-faceted Praeludium is vividly realized by Edward Landin Senn, who commissioned it in 2016. -- Choir and Organ