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Bound for Glory
New settings of African-American spirituals
Chicago a cappella
Jonathan Miller, artistic director
Chicago a cappella is “Chicago’s best unaccompanied group”
(Chicago Magazine),
“The city’s liveliest, most versatile vocal ensemble.” (Chicago Tribune).
This is their debut album on Gothic.
I Want to be Ready
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Hogan, Moses (arr.)
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Hear de Lambs a-cryin'
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Carey, Paul (arr.) *
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Didn't My Lord Deliver Daniel?
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Crabtree, Paul (arr.) *
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I Want Jesus to Walk with Me
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Lett, Colin (arr.) *
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Sistah Mary
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Dilworth, Rollo (arr.) *
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Save Me, Lord!
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Morris, Robert L. *
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Great Day
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Garrett, Marques L. A. (arr.) *
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Wayfarin' Stranger
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Scott, K. Lee (arr.)
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Go Down 'n the Valley and Pray!
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Thomas, Andre (arr.)
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Nobody Knows The Trouble I've Seen
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Jennings, Joseph (arr.) *
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Wade in the Water
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Hogan, Moses (arr.)
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This Train
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Walker, Gwyneth (arr.)
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Little David (Old Testament
Spirituals)
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Miller, Jonathan (arr.) *
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Daniel, Moses, Joshua (Old Testament
Spirituals)
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Miller, Jonathan (arr.) *
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Go Down, Moses
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Harris, Robert (arr.)
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Roll, Jordan, Roll!
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Dilworth, Rollo (arr.) *
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Give me Jesus
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Anderson, Lela (arr.)
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Way over in Beulah-lan'
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Jennings, Joseph (arr.) *
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* indicates world premier recording
The
subtitle---New Settings of African-American Spirituals---pretty much tells the
story. “Go Down, Moses”, “Give Me Jesus”, “Nobody Knows the Trouble I’ve Seen”
and 13 other songs are heard in contemporary arrangements, several recorded
here for the first time. I admire the soulful
elegance of the singing, there’s a nice booklet, and Gothic’s engineering is everything you could want; so let’s
eliminate any suspense on those counts.
I take my folk music straight, so I’m partial to Moses Hogan’s “I Want to Be
Ready” and “Wade in the Water”, where the harmonies remain simple and
unadorned. Joseph Jennings (“Nobody Knows the Troubles I’ve Seen” and “Way Over
in Beulah-lan”) also knows how to stay out of the way of a good tune. Some
arrangements are more elaborate, but so cleverly done that the extra
gingerbread isn’t bothersome. Jonathan Miller, for example, crafted a medley of
“Little David, Paly on Your Harp”, Didn’t My Lord Deliver Daniel” ‘Go Down,
Moses”, and “Joshua fit de Battle” with arpeggiated “doo doos” a la Bobby
McFerrin approximating the sound of David plucking the strings of his harp and
a resounding shofar blast from the fellows celebrating Joshua’s conquest of
Jericho. It’s a creative set.
There are several other arrangements, though, where the harmonies are
tightened within an inch of their lives and the spirituals mutate in jazz.
That’s not my thing, but who’s to say it isn’t yours?
---American Record Guide
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